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时隔两年，新一届山形国际纪录片节即将于10月10日揭开序幕，今天影展官方公布了亚洲新浪潮竞赛单元评委阵容，中国导演杨荔钠将出任评委。另一位评委是日本纪录片工作者erikawa ken。

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拍摄中的杨荔钠

杨荔钠生于中国吉林，1996年开始纪录片工作。是当时中国新生代民间纪录片代表人物之一，《老头》是她的第一部纪录片，本片获得了1999年山形纪录片节亚洲新浪潮单元优秀奖，其后又创作了《老安》，《家庭录像带》，《一起跳舞》等。

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影展官方介绍：杨荔钠用两年多的时间记录了她的邻居老人，完成了《老头》，老人每天聚集在街角，在尘土飞扬的北京郊区，整个四季中，摄像机跟随他们的身影，观察他们的老年生活，并倾听他们的喋喋不止的倾诉和抱怨。老人们承受了灼热的夏日，也徘徊在春天的阵风中，当城市在一片雪白时又沉默消失。

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10月15日，《老头》一片也将在山形时隔20年重映，极具纪念意义。而放映的前一场也是来自中国纪录片女作者章梦奇的《自画像：47公里斯芬克斯》，可以看作一次颇具传承感的接力。

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杨荔钠的剧情长片《春潮》在上海国际电影节和first青年电影展相继获奖，而她也没有脱离纪录片的创作，她的最新纪录片项目《少女与马》将聚焦一群马术少女的成长之路。作为中国首部少女成长题材纪录电影，在120分钟的时间内浓缩了六位青春洋溢的少女骑手和她们的马伙伴一年365天的故事。该片意在向观众传递青春的美好，成长的酸楚，信任的相伴勇敢的伤痛以及热爱的无悔。

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7月31日组委会公布亚洲新浪潮竞赛单元片单，中国大陆导演崔兆松的《流浪的石头》，两位中国台湾导演苏育贤的《工寮》和许慧如的《临时工》入围竞赛单元。

章梦奇的《自画像：47公里斯芬克斯》与陈俊志《美丽少年》入围特别展映单元。在早前公布的国际竞赛单元中，章梦奇的《自画像：47公里的窗》与王兵的《死灵魂》入围。

今年影展的亚洲新浪潮单元从68个国家和地区的943部电影中挑选出了21部佳作。这些作品正在大胆地开辟出新的表达方式，此外还有两部特别邀请的作品，邀请观众一同进入到纪录片制作者们镜头中的世界。

山形国际纪录片节 yidff 2019 亚洲新浪潮单元完整片单

anatolian trip

turkey / 2018 / 114 min

directors: deniz tortum, can eskinazi

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the year is 2014, just before the presidential election, and a young jam band embarks on a road trip, leaving istanbul to tour around anatolia—travelling in the improvisatory spirit of their music, rolling from one local encounter to the next.

and what is the summer saying

india / 2018 / 23 mindirector: payal kapadia

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a man enters the forest to collect some honey. the wind whispers through the trees, swaying the hammocks in the village. listen closely and you will hear the women’s hearts murmur about lost love.

the ashes and ghosts of tayug 1931

the philippines / 2017 / 115 mindirectors: christopher gozum

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pedro calosa led an agrarian uprising as a young man. speaking through a cross section of silent film, fiction and documentary, this film brings forth the spiritual journey of calosa, a forgotten hero.

at home walking

india / 2019 / 114 min

director: rajula shah

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poetic monologues and the music of wandering bards accompany the pilgrims and nomads of modern-day india. this experimental work challenges us to visualize a journey of the soul, with walking as a meditative act.

beyond the salween river

burma, vietnam, thailand / 2019 / 65 mindirector: gigi berardi

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poetic monologues and the music of wandering bards accompany the pilgrims and nomads of modern-day india. this experimental work challenges us to visualize a journey of the soul, with walking as a meditative act.

cenote

japan, mexico / 2019 / 75 mindirector: oda kaori

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cenotes—sources of water that in ancient mayan civilization were said to connect the real world and the afterlife. the past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness. the latest film from the director of aragane (yidff 2015).

erased,___ascent of the invisible

lebanon / 2018 / 76 min

director: ghassan halwani

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the lingering image of a man kidnapped 35 years ago. the film hunts down and carves into the present the absence of countless existences that were vanished without a trace, written off as anonymous deaths after the civil war.

exodus

iran / 2019 / 80 min

director: bahman kiarostami

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migrant workers from afghanistan who entered the country illegally now wish to go back home, and they make their case at the government center near the border. the stories of people with different family and work circumstances are interwoven in this exodus—from iran—with a reggae lilt.

a feeling greater than love

lebanon / 2017 / 93 min

director: mary jirmanus saba

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the labor and political movement led by factory workers in 1970s lebanon has been overshadowed by the region’s history. through testimonials of those enactors of social change and a variety of footage from the era that encompasses both fiction and documentary, the film reclaims and breathes new life into the people’s revolution.

the gracefully

iran / 2018 / 64 mindirector: arash eshaghi

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an 80-year-old man, known in his youth for having danced at local ceremonies and celebrations dressed as a woman. dancing publicly is banned after the revolution and he lives now as a farmer, taking care cows. this film captures one man’s continued pursuit of happiness through dancing.

工寮 hut

中国台湾 / 2018 / 54 min

director: 苏育贤

one by one, indonesian laborers flee to a hut somewhere in taiwan and begin talking about what has happened to them. their voices crowd the hut, until an explosion seems imminent . . . .

in thy kingdom by the sea

poland, japan / 2018 / 23 mindirector: keino yutaro

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to the port by train, plane, and car. sketches of the diverse lives of those tied to the sea: fishermen, sailors, men of different countries here for work, men from the navy, and students . . . .

invisible actors

korea / 2018 / 122 mindirector: chae hyeong-sik

four actors rehearse playing zombies for a film audition. encompasses documentary theatre, the actors’ discussion process and their everyday lives—all at the same time they attempt to make a film with the director.

no data plan

the philippines, usa / 2018 / 70 mindirector: miko revereza

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“mama has two phone numbers.” a journey of film in the space it takes a train to leave los angeles and head to new york. the latest work from the director of droga! and disintegration 93–96 (yidff 2017).

临时工temporary

中国台湾/ 2017 / 25 mindirector: 许慧如hsu hui-ju

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我们聘雇了三位真正的临时工来扮演临时工，废弃工厂的空间便是舞台，他们在其中组构出了一个若有似无的、临时的家。凭藉著身体的劳动与彼此的关係，在真实与虚构的边界、城市与荒野的边界、家与流浪的边界，活著。他们是现代化工业历程的「遗迹」，如今徒剩遗留在城市边缘的空洞与荒芜。

that cloud never left

india / 2019 / 65 mindirector: yashaswini raghunandan

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a story about a village not very far away—children search for a red ruby, and toys are made out of filmstrips. out of a phantasmagoria of village, children and stars, a film soon emerges.

this is my house, come the sleeping

indonesia / 2019 / 90 min

director: halaman papua

a man works out every day what numbers to bet on the lottery. in the midst of his seemingly peaceful life, papua’s history and memories of the tragedy that plagued his home village hazily linger on.

through the border

singapore / 2018 / 29 min

director: teo qi yu

after his cancer diagnosis, an old man is given six months to live. his granddaughter’s camera gently captures his sense of belonging in china—the place he left behind but never forgot—and the story of his family in singapore.

流浪的石头the wandering rock

中国 / 2019 / 93 min

director: 崔兆松

《流浪的石头》主人公是陕西的一个摇滚歌手，为了推广自己的自由理念，他开始巡演。他的歌手朋友，老衲，因为没钱治病而自杀。他在探访老衲足迹的过程中，开启了两个音乐人与时代的独特对话。

winter in seoul

korea / 2018 / 25 mindirector: sohn koo-yong

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a young man writes in a motel room at night, while people go about their business outside in the cold winter streets of seoul, anonymously crossing paths. a venture to visually interpret the sense of the words of the short story “seoul—1964—winter,” through an experiment in the five senses.

xalko

canada / 2018 / 100 min

directors: sami mermer, hind benchekroun

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the men of the director’s hometown, a kurdish village called xalko, are off making a living in europe. within the daily lives of the women left back home, as they chat and their hands work busily, brim the joys and anger, grief and laughter of one large “family”.

亚洲新浪潮单元特别展映

new asian currents special invitation films

自画像：47公里斯芬克斯

self-portrait: sphinx in 47 km

中国 / 2017 / 94 min

director: 章梦奇

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an old woman speaking falteringly about the sadness of her life; a young girl drawing pictures—a touching portrayal of the intimate flow of time in a quiet village. this was made prior to self-portrait: window in 47 km (yidff2019 international competition), also set in the same village.

美丽少年boys for beauty

中国台湾 / 1998 / 63 min

director: 陈俊志mickey chen

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导演陈俊志长年关注性别议题，拍摄多部纪录片《无偶之家，往事之城》、《不只是喜宴》，其中《美丽少年》纪录叶永志在学校遭受霸凌，离奇丧命的事件，唤醒台湾对于性平等教育的忽视，近而铸下遗憾的悲伤故事。

本片于1999年入选山形国际纪录片影展的同个单元，陈俊志导演也曾于2011年担任该单元评审。导演陈俊志因心因性休克 （高血压心脏病）2018年在家中过世，年仅51岁。

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